关于同场对抗类项群技术共性特征的初步探讨   总被引：7，自引：1，他引：6  

刘建和 《成都体育学院学报》2006,32(2):50-54

运用专家调查法、文献研究法和理论分析法,对同场对抗类项群(篮球、足球、手球、水球)运动技术发展过程的某些共性特征进行了初步研究,得出结论:同场对抗类项群极其重视身体对抗技术,尤其重视在强身体对抗中运用其它技术;更加注意处理好"技术全面"和"位置技术"的关系;"组合技术"成为业内人士关注的焦点之一.  相似文献   

数字图书馆二题   总被引：22，自引：0，他引：22  

周淮生 《图书馆论坛》2001,20(1):38-39

探讨数字图书馆及其相关概念以及它与传统图书馆的共存关系。  相似文献   

21世纪甘肃省绿色产业发展构想     

张小平  贾文雄 《天水师范学院学报》2005,25(4):38-41

甘肃省发展绿色产业是适应世界产业发展潮流、国家宏观产业政策调整、西部大开发战略实施以及甘肃生态环境建设需要的必然选择。甘肃省发展绿色产业必须以市场需求为导向,以特色产业为基础,以龙头企业为核心,以科技进步为动力,以可持续发展为目标。通过树立正确的绿色产业发展观,完善绿色产业的组织管理体系,增强绿色产业的市场竞争能力,强化绿色产业的人才队伍建设,构建绿色产业的市场网络体系以及扩大绿色产业的对外合作与交流来促进甘肃绿色产业的全面发展。  相似文献   

Selection models in the music industry: How a prior independent experience may affect chart success     

Andrea Ordanini 《Journal of Cultural Economics》2006,30(3):183-200

The is article analyses the two main approaches for artists’ selection in the recording industry: the direct model in which large major companies directly choose new artists from the supply market, and the agency model in which small independent labels realise the first choice and, subsequently, large organisations pick their new artists among those pre-selected by independents.An empirical analysis of chart sales reveals that artists selected through the agency model exhibit a longer presence on the chart due to repeated successes, while they are slower to reach heavy success once they have entered the chart. Conversely, the direct model leads to artists with a faster path to a strong success, but the same artists have a shorter presence on the chart due to the sporadic nature of their success. The profile of artists selected through these two models is also found to be different: big international soloist stars are more frequently selected through the direct model, while national bands are more frequently selected through the agency model.The insights suggest important implications for management in the cultural industries and especially in the recording industry. Jel Codes: L82; O32  相似文献   

高校大规模排考系统的算法统计     

PAN Chun-zhi  FENG Jue-min  GUO Xing-ming 《上海大学学报(英文版)》2005,9(1)

It is a multifactor optimization problem to arrange examinations on a large scale for universities. In this paper, a kind of grouped optimization algorithm was proposed. A principle about related degree, which plays a core role in realization, was introduced in the algorithm. According to the algorithm, we worked out a set of software correspondingly and applied it to a certain university in Shanghai to arrange examinations. It shows that the algorithm is very effective.  相似文献   

我国400m跑训练应注意的10个新动向   总被引：5，自引：0，他引：5  

龙斌 《武汉体育学院学报》2002,36(3):71-73

通过献资料法，统计对比法及本人多年的训练实践，在分析大量有关资料的基础上，根据400m跑训练发展的动向，针对我国目前400m跑训练中存在的问题，提出了以“速度”为中心，以“速度耐力”和“专项力量”为两翼，以短补长，以长补短，长短互补，全面发展的训练思路。  相似文献   

职业教育发展的行业化趋势   总被引：1，自引：0，他引：1  

吕红  吴念 《安徽职业技术学院学报》2005,4(2):47-50

文章立足职业教育的培养目标及其在社会经济中的地位,结合部分发达国家产学结合的做法,从我国职业教育体制结构和发展方向的角度,论述了行业、企业参与职业教育的必要性;倡导建立政府保障、行业主导、全社会参与的职业教育发展局面。  相似文献   

Culturalisation and devices: what is culture in cultural economy?     

Lizzie Richardson 《Journal of Cultural Economy》2019,12(3):228-241

Theorisation of culture is often absent from research on production in the creative and cultural sector. Further, cultural production has been largely untouched by the insights of the cultural economy approach. Culturalisation is a means of addressing the question of what constitutes culture and thus a cultural (economy) approach. It is the process by which culture and cultural production combine in the ‘operationalisation of the real.’ Culturalisation underpins much scholarship in this journal by posing the (economic) real as a problem of definition in order to illustrate the operations involved in its temporary resolution. The implications of this position need further addressing. There is a feedback between culture as a problem of definition and a cultural approach. Devices can interrogate the relationship between processes of cultural definition and the conceptual parameters of a cultural economy approach. Workshopping, projects and events are put forward as cultural devices emerging from a 10-month ethnography of literary performance in Bristol, England. This illustration shows firstly, how culturalisation occurs in a designated cultural sector to contingently realise culture; and secondly, the implicit logic of cultural economy as culturalisation, typified by the device as method, so as to open a debate concerning its implications.  相似文献   

文化产业中的表达：自由与界限     

齐崇文 《出版科学》2016,24(2):10-14

文化产业是表达的产业,表达是文化产业的核心要素。自由的表达可以推动文化产业的发展,但过度的表达又会使文化产业的社会效益受损。文化产业的有序发展需要合理、恰当的表达,需要为表达自由划定一个界限,这个界限就是表达义务。表达义务对文化产品的生产者和传播者提出应当不侵犯他人权益、不损害社会公共利益和不侵害前代人和后代人权益的行为要求。表达义务既是表达自由的限制和界限,也是文化产业的社会效益在法律上的体现。  相似文献   

一种基于服务质量的网格服务发现机制     

李静 《重庆第二师范学院学报》2007,20(6):54-56

网格服务体系结构的出现对网格服务发现提出了挑战,UDDI上基于关键词和简单分类的服务发现机制已经不能很好满足需要.本文在分析现有相关研究的基础上,提出了基于服务质量的网格服务发现机制,引入服务质量相似度的概念,为网格服务发现提供了一种有效可行的方法.  相似文献